A revolutionary design material for saxophone mouthpieces with
the power of metal and a new dimension in tone, stability and responsiveness.
Handcrafted in the tradition of the great vintage mouthpieces, we have combined the essential acoustic
design elements with this innovative material, and produced a mouthpiece of unsurpassed quality. Our philosophy is that, in order to get the tone quality, and depth of sound that many players seek in vintage mouthpieces, we must get back to the basics of fabrication.
Acoustic Design
Elements Tip rail and baffle
We have given very careful consideration to the point of wind delivery. The tip 
rail is shaped to the exact contour of the reed. Each rollover baffle is given a slight crescent shape (just like the New York vintage Meyer Brothers and Florida era Otto Links). This beautiful organic shape is not found in modern production line mouthpieces, and we feel that it contributes to the quality of tone.
Sculpted Inner Side Walls
The inner side walls are meticulously sculpted and rounded from the tip of the mouthpiece into the chamber. This opens the wind delivery, and creates a 
big, fat, round tone.
Chamber
Another crucial acoustic element is the chamber dimensions and shaping. Each large chamber mouthpiece is opened beyond the end of the floor slope to a larger diameter than the shank diameter, contributing further to the depth and presence of the tone.
Organic Shapes
Another truly unique aspect of our mouthpieces is that there are no sharp / “machined” edges. The interior is comprised of curved and rounded shapes, an aspect that lends itself to a natural flow of the air column.
Final Play Testing and Overtone Tests
All of our mouthpieces undergo final play tests. We check each mouthpiece
for a balanced overtone series and even, accurate wind delivery from low Bb to altissimo F (F above palm key).
Ceramic Porcelain Material
This truly unique porcelain ceramic material has the highest surface density of any material, offering the player an immediate, crystal clear response. Articulating fast staccato passages is noticeably easier than other Mouthpieces, and dynamic capabilities are also heightened.
The natural composition of ceramic offers the artist incredible intonation stability and unsurpassed response throughout the entire range of the instrument. Due to the very high surface density of glazed ceramic, a nearly frictionless path is created for the wind. Drake Ceramic Mouthpieces will never warp, corrode, or change in any way.
Please feel free to call us to place your order by Credit Card over the phone at 877 681 0954
*
All international orders have a shipping charge of $14.75 for USPS
priority international which will be invoiced upon order placement
ORDERS FOR CUSTOM CERAMIC MOTHPIECES MAY TAKE 3-5 WEEKS FOR COMPLETION
Custom Ceramic Saxophone Mouthpieces
JAZZ Tenor JT - B
Free blowing large chamber vintage style mouthpiece. This mouthpiece
features a short rollover baffle, and creates a round tone, balanced in overtones, with the
ability to break through when needed. Listen to Samples
Here is Matt Vashlishan
Tip openings (similar to Otto Link Tenor sizes):
6 = .100”
7 = .105”
8 = .110”
9 = .115”
NEW!
Contemporary Tenor Model
This mouthpiece features a step down baffle with a large chamber, reminiscent of the Guardala Brecker I and II. The side walls are undercut to increase the depth and projection capabilities. Careful consideration is given to the throat and chamber shape, which helps create addition velocity to the air stream. A great choice for R&B, Funk, and Rock and Roll.
Tip openings (similar to Otto Link Tenor sizes):
6 = .100”
7 = .105”
8 = .110”
9 = .115”
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JAZZ Alto JA - B
Free blowing with tremendous versatility, from lead alto, to soloist in an R&B setting. This
acoustic design features a round medium sized chamber and a short rollover baffle. The carefully calculated floor slope creates optimal air stream velocity and allows the player to shape his/her own personal sound.
Tip openings (similar to New York Meyer sizes):
Here is Ariel Alexander on this model:
5 = .075”
6 = .080”
7 = .085”
8 = .090”
5 = .075”
6 = .080”
7 = .085”
8 = .090”
Featuring a medium/small round chamber, this acoustic design is again very versatile and
great in a variety of settings. A short rollover baffle and concave floor slope create optimal
reflection of wind and greater timbre variation when you need it.
Tip openings (similar to Selmer Soloist F - J):
5 = .055”
6 = .060”
7 = .065”
8 = .070"
How does this Ceramic Material improve your sound?
1. Extremely Low Thermal Conductivity creates intonation stability
2. High Surface Density creates an immediate, clear response
3. Internal surface density of glazed ceramic creates a nearly frictionless path for the air column, and promotes greater projection capacity.
4. Semi porous nature absorbs moister that can accumulate at the tip
5. Density properties contribute a stronger core fundamental and balanced overtones.
6. Organic shapes of the baffle, side walls, floor and chamber that are unique to our proprietary fabrication process
Return / Exchange Policy:
All mouthpieces are sent delivery confirmation
Take 7 days to play test (from date you receive). If you are not 100% satisfied return ship the mouthpiece within the 7 days in NEW condition. Box must be post marked in this time period. We will post a full refund of the purchase price (not including $6.75 for shipping) through paypal within seven days of our receipt of the return. NO RESTOCKING FEES!
You may also exchange the mouthpiece for a different tip opening during the 7 day trial period.
Buyer pays return shipping.
Secure Socket Layer
Logo and Web design by Cavan Drake - cdrakes@hotmail.com